Gregory Kunde, an internationally acclaimed opera singer, takes on the role of the complex Captain Vere in the opera Billy Budd. He emphasizes the positive energy of Billy that unleashes conflicts in the play and compares the characters to Verismo, as they portray a radical reality. Kunde’s deep understanding of character psychology sets him apart as an outstanding representative of the opera art form.
In a recent interview, Kunde shared his excitement about singing the role of Vere in Vienna for the first time. Initially hesitant about Benjamin Britten’s music, Kunde’s perspective changed after performing in Peter Grimes, another character with complexities. He expressed his happiness in accepting the role of Vere and returning to the Vienna State Opera.
When asked about Vere’s guilt in condemning Billy to death, Kunde expressed uncertainty about Britten’s perspective. He highlighted Vere’s inner turmoil and the temporary peace he finds at the end of the opera, suggesting that the question of guilt will continue to haunt him. Kunde believes that Britten leaves the issue unresolved, mirroring real-life struggles with guilt and conscience.
Regarding the title of the opera, Kunde offered his insight on why it is named Billy Budd instead of Vere. He explained that Billy’s character triggers the events and questions of guilt in the story, serving as a focal point for all other characters to interact with and reflect upon.
When asked about comparisons between Vere, Otello, and Jago, Kunde dismissed likening Vere to Otello and Claggart to Jago. He pointed out the differences in character motivations and external perceptions, highlighting Vere’s distinct relationship with Claggart compared to Otello’s dynamic with Jago.
Reflecting on the most touching passage in Billy Budd, Kunde mentioned the moment when Billy is called before the Captain under false accusations of mutiny. He described the heartbreaking realization as Billy’s innocence is shattered by the malicious accusations, leading to his tragic fate.
In terms of musical influences, Kunde drew parallels between Britten’s characterizations and the Verismo style. He noted Britten’s ability to create characters with intense realism, requiring skilled interpreters to bring them to life on stage.
Overall, Gregory Kunde’s insights shed light on the depth and complexity of the opera Billy Budd, emphasizing the psychological nuances of the characters and the timeless themes of guilt and loyalty portrayed in the story.